Cinema against Spectacle: Technique and Ideology Revisited
dc.contributor.author | Comolli, Jean-Louis | |
dc.date.accessioned | 2016-12-31 23:55:55 | |
dc.date.accessioned | 2019-12-10 14:46:32 | |
dc.date.accessioned | 2020-04-01T14:07:43Z | |
dc.date.available | 2020-04-01T14:07:43Z | |
dc.date.issued | 2015 | |
dc.identifier | 611591 | |
dc.identifier | OCN: 1030822478 | en_US |
dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/32378 | |
dc.description.abstract | Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker. | |
dc.language | English | |
dc.relation.ispartofseries | Film Theory in Media History | |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism | en_US |
dc.subject.other | cahiers du cinéma | |
dc.subject.other | ideology cinema and politics | |
dc.subject.other | film theory | |
dc.subject.other | film history | |
dc.subject.other | André Bazin | |
dc.subject.other | Depth of field | |
dc.subject.other | Paris | |
dc.title | Cinema against Spectacle: Technique and Ideology Revisited | |
dc.type | book | |
oapen.identifier.doi | 10.5117/9789089645548 | |
oapen.relation.isPublishedBy | dd3d1a33-0ac2-4cfe-a101-355ae1bd857a | |
oapen.pages | 348 | |
oapen.remark.public | Relevant Wikipedia pages: André Bazin - https://en.wikipedia.org/wiki/Andr%C3%A9_Bazin; Depth of field - https://en.wikipedia.org/wiki/Depth_of_field; Ideology - https://en.wikipedia.org/wiki/Ideology; Paris - https://en.wikipedia.org/wiki/Paris |