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dc.contributor.editorHidalgo, Santiago
dc.contributor.editorGaudreault, André
dc.date.accessioned2019-10-23 23:55
dc.date.accessioned2020-03-27 15:48:21
dc.date.accessioned2020-04-01T09:58:06Z
dc.date.available2020-04-01T09:58:06Z
dc.date.issued2017
dc.identifier1005657
dc.identifierOCN: 1135844980en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/24458
dc.description.abstractThis volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studiesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticismen_US
dc.subject.otherThe arts: general issues
dc.subject.otherElectronic, holographic & video art
dc.subject.otherFilm history, theory & criticism
dc.titleTechnology and Film Scholarship: Experience, Study, Theory
dc.typebook
oapen.identifier.doi10.2307/j.ctt1zqrmrh
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789089647542
oapen.pages408
oapen.place.publicationAmsterdam


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